The basic element of the work is time -- finite and inconspicuous. The
surfaces are shaped loosely and non-hierarchically, in response to an
idiosyncratic nature. The result is determined only by an internal
need for completion; it does not depend on anything, nor does it
attempt to describe something. The work appears to be following
different properties at any given time, creating a subconscious
layering whereby nothing is explicitly or schematically stated, and
thus giving an impression of incompleteness or inconsistency.
The work ushers a new subjectivity by following the route of free association and systemic superimposition of models, manipulating software until the forensic data accrues to generate another possibility for painting.
What this painting represents is a digitally produced simulacrum of an immaterial object. The painting purports to authenticate the original that exists in my head as an ideal of "truth".